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Reviews book: Pressured by a patron who would buy a cardinalship, a sixteenth-century relic hunter and his best friend unsuccessfully forge a shroud before being placed in the custody of mercenaries to steal the celebrated Shroud of Chambéry.
Reviews book: Author of the acclaimed historical novel, The Scholar’s Challenge, Julian Bauer now turns his unique writing abilities to two contemporary novellas, The Lawyer’s Relic and A Grandfather’s Dilemma. The first novella asks how an agnostic lawyer would react if he found a bloody napkin wrapped as a Christmas gift. Would he throw it away even if he found a card attached describing it as the burial face cloth of Jesus Christ? How would he react if supposedly miraculous events occurred? Would his legal skills play a factor in his search for an answer to what it all means? The second novella puts a elderly man in a predicament. He faces death from old age and has settled all his worldly affairs when a middle-aged woman and her adult son show up on his doorstep. She claims the young man is his grandson. Is he? Moreover, she tells the old man that her son has major character flaws needing someone of his ability to redeem him. He refuses to take on the responsibility. She insists. In any case, how could an unwilling young man be changed? Is it possible that age can bring with it weapons of unusual teaching abilities? Heartbreaking and enlightening, these powerful stories engage the reader in questions of faith and integrity. In writing these novellas, Julian utilizes all the investigative and managerial tools he gained in his career as CEO of his own company, executive in the Federal government, and national president of a nonprofit organization. He skillfully weaves two riveting tales around the benefits of trust and virtue.
Reviews book: In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.
Reviews book: Time is coming apart at the seams, and a tech-savvy teenage orphan is the only one who can save the past and the future… The Relics Trilogy is a fast-paced high-stakes adventure across alien worlds and through time, as Duff Roman seeks to rescue his friends and save himself from the clutches of those who want them for nefarious purposes. Just when Duff believes he’s succeeded, another life-threatening challenge falls in his path, and the risks only grow the closer he comes to the final showdown. This box set is the complete series.
Reviews book: War consumes planet Earth, but this war is far different from any other in its extensive history of violence. Races from other planets have found their way to Earth and have begun to tear it apart. Sierra Vazie, leader of the feared Drone Legion, is determined to reach total dominance, but she has obstacles to overcome. One of these obstacles is Jason Lance. Jason is a teenage boy from New York City, who has no idea how important of a journey he is about to embark on. According to prophecy, Jason is destined to save the universe from an impending destruction. Follow Jason and his companions into a world of magic and adventure like never before.
Reviews book: Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.
Reviews book: Beneath the Underground, where Charles Mingus's underdog still resides, Vernon Frazer has been building a reputation as a writer's writer. In Relic's Reunions, Edsel Relic, a highschool outcast turned performance poet, receives a telephone call from his unrequited teenage love, who invites him to attend his 25th class reunion -- just as he's reeling from a mid-life diagnosis of Tourette Syndrome. Relic's debate over attending careens from narrative to stream-of-consciousness to TV script in a mixed-media mind-movie while his supporting cast of jazz musicians, high school jocks, patriotic principals, early-60's hipsters -- and a cameo appearance by the most trusted man in America, Walter Cronkite -- scrawls a jazz-fueled American Graffiti on the wall of the America that brought us the sixties.
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Reviews book: With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
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